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MexiCANT by Sam Cotugno

Celebration of Latinx Artists

这个展览突出了莱克郡学院周围社区的艺术家,颂扬了拉丁文化中多样化、创造性的声音。


Baby Shoes by Ivan Almazo
  • Ivan Almazo
  • Baby Shoes
  • Oil on canvas
  • 18 x 25 x .5 in

伊万用他的彩色油画描绘特定的时刻。婴儿鞋是他母亲的项链的一个渲染,保持她的想法,她的孩子在她的心。


Secret Garden by Chavira
  • Javier Chavira
  • Secret Garden
  • Oil
  • 24 x 30 in

Exhibited at CLC:Javier Chavira and Sergio Gomez: Figurative Works, 2010. Javier’s painting honors the Yanomami people of the Amazon who struggle to preserve their once secret garden against the infringement of our modern world.

This piece is part of the CLC Permanent Collection.

Pleated Wing by Fico
  • Rosario Fico
  • Pleated Wing
  • Ceramics
  • 32.5 x 13 x 6 in

Exhibited atCLC: Recent Works,2004年。这件褶皱设计和弯曲边缘的作品是菲乔试图捕捉翅膀形状和飞行的幻想。

Gift of Marjorie Martin

This piece is part of the CLC Permanent Collection.

Number 5 by Lama
  • Omar Lama
  • Number 5
  • Ink on illustration board
  • 11.25 x 8.25 in

A Chicago native, Omar Lama was an early and active member of the artist collective AfriCOBRA, which was created to provide a shared visual language for positive revolutionary ideas. Lama developed his direct, graphic art with compositions of line and geometric abstraction through this aesthetic. Gift of Abe Goldsmith.

This piece is part of the CLC Permanent Collection.

拉哈尔的《自由坠落》
  • Kim Rahal
  • Free Falling
  • Oil
  • 40 x 30 in

金·拉哈尔被颜色、对比和光所吸引。她更喜欢与油画工作,因为她喜欢创造纹理的能力和它深深的充满活力的颜色。在这幅画中,她描绘了对我们现在的生活的想法。她觉得我们都在自由落体!

Market Streets in Yucatan, Mexico by Lia Schulze
  • Lia Schulze
  • Market Streets in Yucatan, Mexico
  • Acrylic
  • 27 x 23 in

Lia Schulze is delighted to educate the public through her art. Her unique painting style is a tribute to Mexican culture in the United States. This piece embodies the rich history of the Yucatan.

Harajuku Mask by Jesus Ambrocio
  • Jesus Ambrocio
  • Harajuku Mask
  • Photograph
  • 8 x 10 in

In Jesus Ambrocio’s works of art, he explores how people and scenes are used to express the variety of culture and similarity in one's environment. His current body of work is divided between street and landscapes.

MexiCANT by Sam Cotugno
  • Sam Cotugno
  • MexiCAN’T
  • Watercolor
  • 8.5 x 12.375 in

萨姆·卡图诺既是墨西哥人又是意大利人,她一直在与自己的种族身份作斗争。这件作品代表了她的传统与她作为美国人的身份之间的平衡。

Enredame by Garcia
  • Nazareth Garcia
  • Enrédame
  • Oil on wood panel
  • 14 x 10 in

The exploitation of the Hispanic working class is something that has been a huge part of the structure of the United States and a concern of artist, Nazareth Garcia. Garcia’s work celebrates the hard-working, unjustly treated, laborers from abroad who also might reside in this country. Nazareth feels that ultimately, there is no U.S. without us.

Disgusted by Lopez
  • Perla Lopez
  • Disgusted
  • Charcoal
  • 23.5 x 15 in.

Perla’s piece was exhibited at theCLC Student Art Competitionin 2010 and won the Purchase Award. This self-portrait is typical of the work produced for Art 127-Drawing 2. Here, Lopez uses a wide range of value and successfully captures emotion and facial expression.

This piece is part of the CLC Permanent Collection.

Battle in the Main Hall by Rocha
  • Gilbert Rocha
  • Battle in the Main Hall
  • Colored pencil
  • 24 x 34.5 in

This piece depicts the familiar Main Hall of the Field Museum of Natural History. Gilbert feels that the most satisfying aspect of his art is the time spent developing ideas, working out compositions and the act of drawing itself. For him these hours are serene, “a time when I am in total control of my abilities these drawings are, for me, a documentation of those moments.”

This piece is part of the CLC Permanent Collection.

Akopan by Sierra
  • Jose Sierra
  • Akopan
  • Stoneware
  • 9.5 x 7.25 x 7.25 in

Exhibited at CLC:Thrown Altered: Vessels Out of Round, 2011. José Sierra describes his work as "the simplicity of the cylinder, as well as the infinite possibility of forms… the balance between sculpture and utility, expanded towards organic geometry, exploring a fluid approximation of nature's impact - not to reproduce it, but to analyze how it evolves in my person. The process, vocabulary, or gesture with the clay becomes unconsciously natural." José is inspired by pre-Hispanic art and architecture, and contemporary architecture and design.

This piece is part of the CLC Permanent Collection.

Unity by James Bakula
  • James Bakula
  • Unity
  • Charcoal
  • 17 x 20 in

Bakula’s art conveys the expressive power and majestic beauty of horses. He feels they are extraordinary creatures and important to the history of many cultures including Hispanic.

Time Is'nt Holding Up by Misael Davila
  • Misael Davila
  • Time Isn’t Holding Up
  • Charcoal
  • 39 x 39 in

In this piece Misael captures the anxiety he feels at this stage of life — where every day that passes feels like another day wasted. His drawing shares the uneasiness that, on this day, he could have grown or become successful in some way – but didn't.

Topographic Macaw by Maria Garcia
  • Maria Garcia
  • Topographic Macaw
  • Acrylic on foam core board
  • 30 x 13 x 1 in

玛利亚的艺术是一个三维地形的集合,用来描绘金刚鹦鹉的充满活力的颜色和羽毛质地。最后一件作品探索了正面和负面空间,以及从平面形状和颜色梯度创建纹理和深度的想法。

Refreshments by Jesus Ortega
  • Jesus Ortega
  • Refreshments
  • Oil
  • 20 x 16 in

Jesus creates rich-colored still lifes of everyday objects. He feels that a simple still life painting has the potential to teach the viewer about an abundance of not-so-simple ideas.

Scream Unheard by Romero
  • Alejandro Romero
  • Scream Unheard
  • Pen and ink, airbrush
  • 22.5 x 29.5 in

Exhibited at CLC:Nuestras Imágenes: An Exhibition of Works by 20 Hispanic-American Artists, 1987. Alejandro’s emotionally intense works are influenced by European expressionism as well as by Mexican mural style. He employs a variety of themes, music; the pre-Columbian past; the containment of natural human impulses; and the relationship between Mexico and North America. He fuses these ideas into a complex and powerful personal vision.

This piece is part of the CLC Permanent Collection.

Streets of Guanajuato, Mexico by Linda Rodriguez
  • Linda Rodriguez
  • Streets of Guanajuato, Mexico
  • Oil/mixed media
  • 16 x 40 in

Linda Rodriguez approaches the traditional medium of oil painting through a new and fresh eye. She incorporates layers of colored glaze redacted by printmaking methods, applications of glaze and paint with non-traditional tools, and heavy applications of texture to produce images of her memories of Mexico, its stories and people.

Untitled Mural by Castillo
  • Mario Castillo and CLC students
  • Untitled (Group mural project)
  • Acrylic
  • 83 x 60 in

Eight CLC students participated in an independent study course on mural painting fall semester 1994. It was team taught by Reggie Coleman, who supervised the mural design drawings, and Steve Jones, who taught the history of mural painting. Visiting artist, Mario Castillo, supervised the actual painting of the mural in a two-day marathon. The painting depicts the group's vision of life in Lake County. Artists: Mario Castillo, Alene Backis, Robert Cooper, Joanne Heintz, Sharon Drawiec, T.J.Lomas, Margaret Novak, Eric Sauerman, Joyce Sherman.

Mario Castillo came to the United States in 1955 and has been credited with starting the Latino mural movement in the Midwest. Castillo’s work is inspired by Mesoamerican murals from ancient Mexico and uses his heritage as a stimulus to create.

This piece is part of the CLC Permanent Collection.

Through My Eyes by Susana Farias
  • Susana Farias
  • Through My Eyes
  • Oil
  • 10 x 8 in

苏珊娜的目标是在艺术世界中创造一个包容和接受的空间。她敦促艺术家们为自己感到自豪,不管别人的意见如何,分享自己的文化,并毫无歉意地保持真实。

Oribe Tumbler by Jimenez
  • Sebastian Jimenez
  • Oribe Tumbler
  • Oil
  • 5 x 34 x 34 in

Sebastian的作品灵感来源于自然。他用阿纳加马木火点燃他的作品,希望发现粘土的自然之美。制作、烧制和拿陶将他与大自然联系在一起。这种探索不可避免地融入了他的工作和生活。

This piece is part of the CLC Permanent Collection.

Composition No. 182, 2020 by Raul Ortiz
  • Raul Ortiz
  • Composition No. 182, 2020
  • Acrylic
  • 40 x 30 x 1 in

Ortiz’s current paintings reflect his practice (in printmaking) of layering, obliterating and gradually focusing/refining a final image. Shooting hundreds of isolated compositions on walks around town, these images inform, and often-times unravel the images that spring out of his canvases as he adds to and peels away layers of paint. His work has always reflected a penchant for color and contrast.

Inner Room by Sierra
  • Paul Sierra
  • Inner rooms
  • Oil on canvas
  • 40 x 40 in

Exhibited at CLC:Nuestras Imágenes: An Exhibition of Works by 20 Hispanic-American Artists, in 1987. Sierra, a Cuban-American artist, is based in Chicago. He has become nationally known for his colorful surrealist works with a Latin flavor. This painting is concerned with Cuban “Santería”, an occult blend of native Cuban religion and Catholicism.

This piece is part of the CLC Permanent Collection.